I just got my third iPod Touch. I bought one of the 1stgen iPod Touches with my Macbook in August 2008, and since then have had two, cryptic, massive failures out of the blue. So after trekking out to Ardmore (a 2 hour trip) for the second time in the past 4 months, I have my third, 1stgen iPod Touch.

I find myself miffed that they can fail so easily with no warning, and that the utterly dismissive “Genius” who tossed a new iPod at me before shoving some paperwork at me and leaving just gave me a sad face and said “bad luck” when I asked how this could happen. Clearly this is a problem with shoddy craftsmanship. My previous laptop, a perky 2004 iBook, had three logicboard failures during its three-year lifespan.

For something supposed to be so top-of-the-line, I expect a little more from Apple, and maybe that’s wrong. In any case, after how rudely I was treated today at the Apple Store and how faulty these are, my next computer will most likely be a PC I build myself. At least then these “bad luck” failures will be easier to fix and cheaper.

I took advantage of that awesome Windows 7 discount for students ($30 for Home Premium or Professional!), as I have to use Windows for certain classes, and my copy of XP was horribly buggy. However, while that $30 price was very sweet, it took me a full 24 hours to get it up, running, and activated. This is partially because I installed it on a mac, partially because of the way the student discount works (third-party distributor). And while you can order a bootable dvd of the software for an extra $12, it takes about 2-3 weeks to be delivered.

So to get Windows 7 Professional x64 running on my macbook (running Snow Leopard, using Boot Camp), I had to:

1. Download the O.S. on my current version of windows because – surprise – the download contains a .exe file and a couple of .box files.
2. Plug in some commands to .cmd in order to turn this into an ISO or use the brand new official ISO download links I only now found are available (but not advertised when you try and download the OS).
3. Burn ISO to dvd
4. Restart in Mac, wait 3 hours for broken iPod to reload all of its music, and then go to create new partition (my current one was too small at 32 gb for windows 7).
5. Discover the mac needs some defragging, which a mac can’t do, so
6. Wipe and restore the whole computer!
7. Which requires you first find that copy of Snow Leopard
8. Which requires you clean your room
9. Freshly restored, create new 40 gb+ partition, attempt to use my new installation DVD of windows 7
10. Since I had to wipe my version of XP to repartition, I had to do a clean, or “custom,” install.
11. Do not plug in your product key or let it activate automatically!
12. After about half an hour of installation, Windows 7 is running and happily restarting every 5 minutes as it updates itself. It is very mac-like in look.
13. I then searched “Activate” to find the windows activation screen, marveling at the nice indexing, and plugged in my newly-purchased product key, only to discover my $30 upgrade would only work when installed as an upgrade from XP or Vista. Not a clean install. But this is pretty easily gotten around by
14. Doing a double install! Just run the install dvd from within windows 7, install it as an upgrade, wait 45 minutes and then activation works fine and dandy.
15. But if you are running an old 2008 macbook like me, you’ll realize that boot camp doesn’t have support for running 64-bit Windows. However, plugging in a command into cmd lets you run it easily (see this website for full steps on how to run Windows 7 x64 on mac with boot camp, including the commands needed)

So end result, Windows 7 runs MUCH more smoothly than XP did, with the help of Snow Leopard and a full day of trial-and-error. This really should not be so complicated, but using boot camp on top of having the tricky Student software to deal with made it so.

It’s ridiculous that you can only install it as an upgrade. Once you upgrade from XP, XP is gone. If you ever need to reinstall your OS, you’d have to first reinstall XP, and THEN reinstall Windows 7. Microsoft, there has to be a better way. Seriously. If I did not need this for immediate homework, I would have given up long before. Serves me right for trying to use a legitimate copy of Windows.

The Philadelphia Orchestra is starting up again after the summer break, and once again I’m glad to be part of the eZseatU program ($25 for a full year of free concerts). My first experience with Berlioz was to see Faust, which was good but I hadn’t been so enthralled that I went out and got a recording.

Charles Dutoit conducted the Philadelphia Orchestra and Chorus. The lineup was:

• BERLIOZ – Resurrexit
• SAINT-SAËNS – Symphony No. 3 (“Organ”)
• BERLIOZ – Te Deum

The Resurrexit completely astounded me. It’s really a wonderful piece, and I think one of Charles Dutoit’s favorites. I found an earlier recording from Montreal, conducted by Dutoit. If you haven’t heard this piece, check it out here. Although it was part of a mass (now lost, as Berlioz felt it not up to par), you can really hear Berlioz’s Romantic side – the piece is loud and passionate.

Thursday is Bartok and Brahms, two of my favorites!

Probably not going to be a reality show at any point, but there are a lot of Really Big Manuscripts out there which one normally doesn’t get to see. One notorious breed of super huge manuscripts are what my coworker refers to as “Filzas,” or large books of Italian accounts and legal documents from the Renaissance. She works on the majority in our collection, which are Italian, but sometimes Latin ones pop up and then I get put to work. Here’s one from the Gondi, Medici, and Machiavelli families:

Gondi and Machiavelli family Filza of huge proportions

To show an idea of the scale, I used an Official Measurement Tool:

Chapstick vs. Machiavelli

While most of this was just a collection of wills, inheritances, and family accounts, one page had a decoration by a bored scribe on it:

Machiavelli face

I took a vacation for about 10 days in northern New Jersey, in a small town called Vernon.
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I was charged with caring for: two rats, three cats, a small pond of fish, a deer and her two fauns, two squirrels, and two finches. Located in the middle of the mountains, it rained once a day but was incredibly green and lovely.

One of my projects this summer was to examine some “hybrid books” (a printed book with some manuscript – handwritten – sections) and describe the manuscript portions. Most/all of these can’t even be found in any kind of online catalog, only in the card catalog in the Rare Book room, and even they will only make passing mention of the manuscripts within the hybrid books.

The first one I dealt with was especially interesting – the printed book was the Speculum Perfectionis by Henricius de Herpf (1524), but bound around it was a collection of poetry by Denis Faucher (Dionysius Faucherius) from ca. 1530-50. Here’s what makes this manuscript more interesting than an ordinary manuscript (click for larger versions):

Vigilance in Virtue

And two pages later….

Inevitability of Death

Fun stuff! Here are some more pictures from these hybrid books, with descriptions in the individual pages:

I see that I have inadvertently taken a summer vacation from the blog. My apologies, classes got the best of me and then I moved to a new place around Society Hill and have spent the rest of the summer reading and catsitting in exotic locales (like New Jersey).

I did, however, get to deal with some very interesting manuscripts, which I’ll write about in their own post. Classes start in a couple of weeks, and it looks like I’ll be taking Digital Preservation, Resources in Social Sciences [I'm a humanities girl, the social sciences are mostly a mystery to me], and Metadata & Resources Description. I nearly took Digital Libraries but decided there was too much overlap with Digital Preservation.

Last quarter was probably my favorite so far – my Content Representation class was by far my best class at Drexel, both useful and challenging (also the only class I didn’t feel I’d get an automatic A in), and my web design class was really fun, as well. I liked coming from these classes with something constructive I’d actually made – in these cases, a thesaurus and website, respectively.

Two more quarters, and then I’ll have my degree. So soon…

Back in Philadelphia, which is quickly vaulting itself into Spring (with some crazy thunderstorms – hail!), and classes have started once more. This quarter looks promising – I was unsure at first whether or not Cataloging would be for me, but the kind of cataloging I do is so different from normal cataloging that I think the overlap will be minimal.

I’m in a web design class, called “Internet Information Resource Design” (why that instead of “web design,” I’ve no idea), which is fairly fun so far, although we haven’t done much except for create blogs for class.

However, I’m most excited about my Content Representation class. This is really the first class that has felt like graduate school. My readings for the first two weeks fill a binder completely (memo to self: buy much larger binder), and are really quite interesting – a lot of broadening of definitions of things like “information” (ie, a train can be a document), learning about metadata, reading about Dublin Core, and so on.

I’m excited to learn how to catalog and classify things like images, or music. We also have to create a thesaurus (not a Roget-esque thesaurus – for an explanation of the kind of thesaurus I’m talking about, click here), and that’s where I’m currently running problems – no idea what I would want to create a controlled vocabulary for. Regardless, this class will keep me on my toes, but I think I will get quite a bit out of it.

I’ve been managing to see at least a concert a week, even while in San Francisco. (See explanations of the concerts below the cut)First I saw the Tel Aviv quartet play at the Herbst theater – the program was fine, but there were some tuning problems and they didn’t seem like they really wanted to be there.

However, my next week at the Herbst theater I saw the English Concert perform with David Daniels singing countertenor. The English Concert had a really wonderful string tone, and were so together I was shocked. Favorite from that concert: Handel’s Concerto Grosso no. 11 in A, Op. 6, HWV 329 (listen here to an older recording, directed by Trevor Pinnock: Concerto Grosso no. 11 in A, Allegro, from the English Concert)

Right after I returned, I saw Gil Shaham perform under the direction of Neeme Järvi, a guest conductor. Instead of Debussy’s “Printemps,” Järvi chose to have the Philadelphia orchestra perform Sibelius’ “Andante Festivo.” This is my first time hearing Sibelius, and I have to say I was completely blown away, although parts of the piece sounded a lot like the Ballad of El Dorado from Candide. Gil Shaham himself was quite lively in Khachaturian’s Violin concerto. Listen to the Andante Festivo here: Andante Festivo, Tempera Quartet

This week was André Previn, who played a Mozart piece and then conducted Strauss’ Symphonia domestica. The Symphonia was very cinematic, and Previn is a powerhouse, despite his age.

Currently in San Francisco, making everyone jealous. Managed to sleep a good 11 hours last night – I woke up at 3 am yesterday to catch a 6 am flight here, and woke up at 7. Walked down to the Thorough Bread & Pastry bakery, which has really, really, quality pastries. Not overly yuppified, just normal muffins that are absolutely delicious. I got a sticky bun to eat there, with some tea (see pictures below).

So far have just enjoyed walking about in the 65°F and sunny weather, wearing tshirts and sandals, and occasionally snuggling cats. Oh, and drinking a lot of tea (click pictures for larger versions):

This afternoon I attended my second concert using the EzSeatU program (see previous post). Due to the lack of people at the last concert, I did not hurry to get to the concert far ahead of time. And so I was surprised to see at least 40 students waiting to be seated with the program. However, I ended up with a really wonderful Orchestra-level seat (more towards the back, but in the middle) despite the crowd. I later realized that maybe people just like Dvorák much more than Berg and Mahler (though no clue why, as there was no giant hammer at all in the program).

The program was:

• Milhaud – The Creation of the World
• Walker – Lilacs, for voice and orchestra
• Mahler – Songs of a Wayfarer
• Dvorák – Symphony No. 9 (“From the New World”)

Walker himself attended, and sat in the row ahead of me. I had never heard Milhaud, and really enjoyed this piece – a small ensemble, but really jazzy at times.

I reserved my tickets for the April performances, so in the next couple of months I’ll be seeing:

• Gil Shaham Performs on March 29th, (Debussy Printemps, Khachaturin’s Violin Concerto, and Dvorák’s Symphony no. 8)
• Prévin Plays and Conducts on April 3rd, (Mozart’s Piano Concerto no. 24 and Strauss’ Symphonia Domestica)
• Masur Conducts on April 18th, (Brahms Symphony No. 2, Shostakovich Violin Concerto No. 1, Strauss Till Eulenspiegel’s Merry Pranks)
• Access: Gotcha! on April 21st, (Strauss’s Merry Pranks again, but this time with a different performer and a lecture by a Temple professor)
• Denève Conducts on April 24th, (Connesson Une Lueur dans l’age sombre, Beethoven Piano Concerto No. 3, and Mendelssohn Symphony No. 5 “Reformation”)
• The Damnation of Faust on April 29th, (Berlioz, with Thomas Quasthoff, Magdalena Kozená, Giuseppe Sabbatini, and Eric Owens as soloists)

Feeling really cultured!